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A watershed film, OMAR GATLATO held a mirror up to Algerian male culture and the mirror cracked. The title refers to the expression "gatlato al-rujula," or, roughly, "machismo killed him" and the film's mordant insights into male posturing and alienation in Algerian society animate this bit of folk wisdom. In mock documentary style, a young man recounts with wry commentary a typical day in his life in the Bab el-Oued quarter of Algiers, while the camera playfully shows a different story. In following Omar and his friends in their pursuit of happiness, the film examines with shrewd humor the gang values of urban youth; their passion for popular culture (soccer, "Hindoo" movies, Rai concerts), their hidden fear of women, and their social insecurity in an environment where they are marginalized.
Merzak Allouache was recently awarded the Reba Steward and Genevieve McMillan Award for Distinguished Filmmaking by the Harvard Film Archive. A collection of his films will be screened in Cambridge in February 2006.
"Omar Gatlato (1976), [Merzak Allouache's] first feature film, set in the neighborhood of Bab el-Oued in Algiers, was such a success that it changed the course of Algerian cinema. The popularity of Omar Gatlato with Algerian audiences demonstrated to the Algerian film industry that its public had an appetite for complex films that dealt with the realities of Algerian contemporary society, opening the door to other films of the same ilk." --Harvard Film Archive
Rental Information
This film is available from AFD on 35mm and video for public screenings and television broadcast. For information regarding rental rates and formats, please contact institutions@arabfilm.com for institutional/non-theatrical screenings, or festivals@arabfilm.com for theatrical, festival, television, or other bookings.
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